Review Under Two: Nathan Bell's Red, White, and American Blues (it can happen here)

Photo by Keith Belcher

Photo by Keith Belcher

The novel It Can’t Happen Here by Sinclair Lewis was published in 1935. It tells the story of Berzelius “Buzz” Windrop, a demagogue who is elected as President of the United States and subsequently seizes authoritarian power. Winthrop is in over his head, an unlikely populist juggernaut, and not smart enough to hold the job. Sound familiar? Almost feels like it can in fact happen here, doesn’t it?

Like its partial namesake, Nathan Bell’s Red, White, and American Blues (it can happen here) is an unfortunately timeless piece of art. Necessary in its import. Heartbreaking in its relevance. 

Written over the course of several years and delayed in its release by the COVID-19 pandemic, Red, White, and American Blues has a transportative quality. The tension of recording in 2019, a stress that is often forgotten due to subsequent events, feels immediately present to the listener. While the record feels like 2019, it also feels like 2015 and 2021 and 1935, because Nathan Bell lives in the present and he has lived.

Lived in the sense of raised a family. Lived in the sense of worked a 9 to 5 job. Lived in the sense of come home from work and put on the ball game. In the sense of read all the books and listened to all the records. He has a poet’s eye with an everyman’s heart. Red, White, and American Blues (it can happen here) is the self-aware expression of a life well-lived. It is what every songwriter seeks- an honest expression of where we have been and where we are now. 

The album is musically sparse which allows Bell’s command of storytelling and imagery to shine. Bell takes on America’s gun obsession (twice), “Buzz”-Windrop-come-to-life Donald Trump, and more that ails this country. He also celebrates everyday folks, pays respect to his late father, and examines mortality with an optimistic eye. 

Red, White, and American Blues (it can happen here) would be a powerhouse of a record if the vocals were Bell’s alone. The contributions of Aubrie Sellers, Regina McCrary, and Patty Griffin take songs that stand on their own two feet and launch them into rarified air. 

The collapse of a free society can, and very well may, happen here. It won’t happen for lack of artists like Nathan Bell turning a critical eye on American society.

Lived in the sense of raised a family. Lived in the sense of worked a 9 to 5 job. Lived in the sense of come home from work and put on the ball game. In the sense of read all the books and listened to all the records. He has a poet’s eye with an everyman’s heart. Red, White, and American Blues (it can happen here) is the self-aware expression of a life well-lived. It is what every songwriter seeks- an honest expression of where we have been and where we are now. 

The album is musically sparse which allows Bell’s command of storytelling and imagery to shine. Bell takes on America’s gun obsession (twice), “Buzz”-Windrop-come-to-life Donald Trump, and more that ails this country. He also celebrates everyday folks, pays respect to his late father, and examines mortality with an optimistic eye. 

Red, White, and American Blues (it can happen here) would be a powerhouse of a record if the vocals were Bell’s alone. The contributions of Aubrie Sellers, Regina McCrary, and Patty Griffin take songs that stand on their own two feet and launch them into rarified air. 

The collapse of a free society can, and very well may, happen here. It won’t happen for lack of artists like Nathan Bell turning a critical eye on American society.

Red white and american blues nathan bell.jpeg

The album is musically sparse which allows Bell’s command of storytelling and imagery to shine. Bell takes on America’s gun obsession (twice), “Buzz”-Windrop-come-to-life Donald Trump, and more that ails this country. He also celebrates everyday folks, pays respect to his late father, and examines mortality with an optimistic eye. 

Red, White, and American Blues (it can happen here) would be a powerhouse of a record if the vocals were Bell’s alone. The contributions of Aubrie Sellers, Regina McCrary, and Patty Griffin take songs that stand on their own two feet and launch them into rarified air. 

The collapse of a free society can, and very well may, happen here. It won’t happen for lack of artists like Nathan Bell turning a critical eye on American society.